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Activities

Feminist cinema

2010-05-01

“FEMINIST CINEMA” FESTIVAL (19 04 2010 – 23 04 2010)

April, 19th (Monday) 19:30 The oppening of the festival.

I Was a Teenage Feminist
A film by Therese Shechter

Canada/US, 2005, 62 minutes

Why is it that some young, independent, progressive women in today’s society feel uncomfortable identifying with the F-word? Join filmmaker Therese Shechter as she takes a funny, moving and very personal journey into the heart of feminism. Armed with a video camera and an irreverent sense of humor, Shechter talks with feminist superstars, rowdy frat boys, liberated Cosmo girls and Radical Cheerleaders, all in her quest to find out whether feminism can still be a source of personal and political power.

In this enlightening documentary, screened worldwide, Shechter hunts down the answers to questions many women are grappling with about their roles and identities in today’s society: Is feminism dead, hibernating, or trapped below the radar? Have the goals of the ‘70s been accomplished or have feminism’s opponents appropriated and denigrated the movement beyond all recognition? If so, how did this happen? Do you have to be political to be a feminist? And do you even have to be female? With home movies clips of Shechter as a budding feminist, archival materials from old health classes, and music by Ani DiFranco, Lavababy, Gina Young, Moxie Starpark and the legendary Helen Reddy, I WAS A TEENAGE FEMINIST redefines the F-Word for a new generation.
 

April, 20th (Tuesday) 17:00

My Feminism
A film by Dominique Cardona and Laurie Colbert

Canada, 1997, 55 minutes

In an era of anti-feminist backlash, this articulate documentary by the makers of THANK GOD I’M A LESBIAN forcefully reminds us that the revolution continues. Powerful interviews with feminist leaders including bell hooks, Gloria Steinem, and Urvsahi Vaid are intercut with documentary sequences to engagingly explore the past and present status of the women’s movement. Discussing the unique contributions of second wave feminism, they explore their racial, economic and ideological differences and shared vision of achieving equality for women. An essential component of women’s studies curricula, MY FEMINISM introduces feminism’s key themes while exposing the cultural fears underlying lesbian baiting, backlash, and political extremism.

"This superbly shot and emotionally compelling primer debunks mass media’s demonization of feminism. In incisive interviews with leading activists and intellectuals, this powerful film insists that feminism is one of the most successful and significant revolutions of the late 20th century. With amazing clarity, it links equality, gender, race, reproductive rights, sexualities, women’s health, abortion, parenting, breast cancer, poverty, and power as interlocking planks of the feminist global agenda. Empowering, edifying, mobilizing, watching MY FEMINISM lets us know that we are not alone." — Patricia Zimmermann, Ithaca College.

April, 21th, (Wednesday), 17:00


In Sickness and In Health
A film by Pilar Prassas, Edited by Peter Heacock

2007, 56 minutes

A deeply affecting film by newcomer Pilar Prassas and edited by Peter Heacock, In Sickness and In Health cuts through abstract ideologies, politics, and legalities to the human heart of the same-sex marriage debate in this amazing story of love, hope, and courage.

In 2002, filmmaker Pilar Prassas began following seven couples in their effort to legalize same-sex marriage in the state of New Jersey. Two years into filming, however, plaintiff Marilyn Maneely, mother of five, was diagnosed with the incurable, terminal disease Amyotrophic Lateral Sclerosis, also known as Lou Gehrig’s Disease. On the day Marilyn passed away, her life partner of 14 years, Diane Marini, was not even allowed to sign her death certificate.

In traditional marriage vows, “‘til death do us part” is the phrase that follows “in sickness and in health,” but to many gay and lesbian Americans, saying these words and enjoying their subsequent rights is not an option. With a tender touch, Prassas delicately balances tragedy and triumph in this film about the civil rights issue of our time—the fight to marry, and care for, the ones we love, in sickness and in health.

April, 22th (Thursday), 17:00

The Righteous Babes
A film by Pratibha Parmar

England, 1998, 50 minute

In this accomplished documentary, acclaimed filmmaker Pratibha Parmar (A PLACE OF RAGE, WARRIOR MARKS) explores the intersection of feminism with popular music, focusing on the role of female recording artists in the 1990s and their influence on modern women. Parmar argues that, far from being dead, feminism has thrived and expanded its reach through the direct, aggressive, and revolutionary medium of rock music, and through the role models of performers like Madonna and Ani DiFranco. Intercutting performance footage with interviews, Parmar explores her thesis with some of the most outspoken female musicians, feminist theorists, and journalists of the UK and US, including Sinead O’Connor, Skin (Skunk Anansie), Chrissie Hynde (The Pretenders), Tori Amos, Ani DiFranco, Camille Paglia, and Gloria Steinem. THE RIGHTEOUS BABES offers a searing and timely critique of the commercialization of feminism through ’Girl Power’ Spice Girls style, ditzy Ally McBeal and her trans-Atlantic counterpart, Bridget Jones. With critical insight and candidness, this powerful and timely documentary demonstrates the vibrancy and relevance of feminism to women and young girls today. Essential viewing for feminists, post-feminists and anti-feminists alike.

April, 23th, (Friday), 17:00
Cover Girl Culture
Awakening the Media Generation
A film by Nicole Clark

US, 2009, 80 minutes

Being thin, pretty and sexy brings happiness. Young girls receive these messages daily hundreds of times. But who sets these impossible beauty standards—and how can they be changed? In this eye-opening documentary, filmmaker and former Elite International fashion model Nicole Clark, now a champion for young girls and their self-esteem, calls for a necessary change: integrity and responsible media for our youth.

COVER GIRL CULTURE pairs images of girls and women in television and print ads with footage from the catwalks and celebrity media. Clark is given rare access to women editors from major magazines like ”Teen Vogue” and ”ELLE”, who provide a shocking defense of the fashion and advertising worlds. The film juxtaposes these interviews with revealing insights from models, parents, teachers, psychologists, body image experts and most importantly, the heartfelt expressions of girls themselves on how they feel about the media that surrounds them.

With an insider’s view, the film addresses issues like today’s increasingly invasive media, heightened advertising to tweens, the sexualization of girls, and consumer culture’s disempowerment of young women. An up-to-date inquiry into advertising and the cult of celebrity’s deep and negative impact on teens and young women, COVER GIRL CULTURE also suggests how to educate young women to think critically about the media.